Manchester Angel, The
DESCRIPTION: The singer meets a girl in Manchester and promises to marry her. She sleeps with him; his regiment prepares to march. She begs to go with him; he refuses. She offers to buy his discharge; he refuses. She vows to enter a nunnery until he returns.
EARLIEST DATE: before 1825 (broadside, Bodleian Harding Harding B 28(14))
KEYWORDS: courting sex army parting dialog soldier
FOUND IN: Britain(England(South,North))
REFERENCES (4 citations):
VaughanWilliams/Lloyd-PenguinBookOfEnglishFolkSongs, pp. 66-67, "The Manchester Angel" (1 text, 1 tune)
Dallas-TheCruelWars-100SoldiersSongs, pp. 71-72, "The Manchester 'Angel'" (1 text, 1 tune)
Chappell-PopularMusicOfTheOldenTime, p. 734, "The Manchester Angel" (1 text, 1 tune)
Ewan MacColl and Peggy Seeger, "The Manchester Angel" (on ENMacCollSeeger02)
Bodleian, Harding B 28(14), "In Coming Down to Manchester," W. Armstrong (Liverpool), 1820-1824; also Harding B 11(2306), Harding B 25(1206), "The Manchester Girl"; Harding B 28(249), Harding B 25(1801), Firth c.14(196), Harding B 11(2388), Harding B 11(3575), Harding B 15(301a), Harding B 15(301b), Harding B 16(254a), "Soldier's Farewell to Manchester"
cf. "The Girl Volunteer (The Cruel War Is Raging)" [Laws O33]
cf. "Jack Monroe (Jackie Frazer; The Wars of Germany)" [Laws N7]
cf. "William and Nancy (I) (Lisbon; Men's Clothing I'll Put On I)" [Laws N8]
cf. "The Banks of the Nile (Men's Clothing I'll Put On II)" [Laws N9]
cf. "High Germany (I)"
cf. "The Jacket So Blue (The Bonnet o' Blue)" (theme)
cf. "Oh! No, No" (lyrics)
NOTES [98 words]: [According to A.L. Lloyd,] "The Angel Inn is said to have stood in the Market Place adjoining Market Sted Lane, Manchester."
Given the large number of ballads with this plot, I was tempted to lump this with one of the others. However, it has enough unique elements, in my judgment, to warrant a separate listing. -PJS
Although most of the elements of this song are duplicated elsewhere, the combination is unique. So is the (frequently Dorian) tune. So I agree with Paul: This piece is unique. There is another song with this title in Sam Henry, but it is distinct (and fragmentary). - RBW
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